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Francesca Billiani

School of Arts, Languages and Cultures University of Manchester Manchester, UK. I am a Senior Lecturer in Italian Studies and was the Director of CIDRAL, the Centre for Interdisciplinary Research in the Arts and Languages at the University of Manchester between 2015 and 2018. My work is interdisciplinary since it is mostly concerned with the interconnections between cultural, aesthetic and historical moments. It primarily draws on archival material, which is then interpreted according to an interdisciplinary theoretical framework, carefully constructed to account for the multiplicity and complexity of cultural formations as well as their ideological/political fluctuations. Specifically, my research focuses on the fascist period, the late nineteenth-century Italian novel, translation theory, censorship, literary journals, modernism, history of publishing, intellectual history and contemporary writing. My publications include a monograph on the politics of translation in Italy (1903-1943), Culture nazionali e narrazioni straniere (Florence, 2007), one collection of essays on translations and censorship, a co-edited volume on the Italian Gothic and Fantastic, and several articles in journals. Most recently, I have contributed a chapter on the skyscraper for The Microhistory of Futurism (Legenda, 2016), which blends literary studies with architecture. I have just finished co-editing two special issues of journals on politics entitled 'Mediating Culture in the Italian Literary Field 1940-1960' (Journal of Modern Italian Studies, 2016) and 'Journals and Intellectuals in Italy: Political, Cultural and Transnational Legacies’ (Modern Italy, 2016). I have completed as co-investigator an AHRC large collaborative project on literary journals in Italy from 1940 and 1960 and I am about to start a new AHRC-funded project entitled The Dialectics of Modernity, which will provide the first in-depth interdisciplinary assessment of the arts system under the Italian Fascist regime. I am on the editorial board of Comparative Critical Studies and Legenda (Italian Perspectives) and I am currently supervising two Marie Curie Fellows. I have presented my work at various institutions, such as NYU, Berkeley, Paris (Rue d'Ulm), held a Visiting Professorship at the University of Milan (Statale) and in 2011 I was Visiting Scholar at the CNRS (Centre de sociologie européenne), Paris. I am one of the external assessors and contributors to the École normale supérieure-Paris based international project La transculturalité des espaces nationaux. Europe (1750-1900) and in Italy to the FIRB project (equivalent to AHRC major grant) Storia e mappe digitali della letteratura tedesca in Italia: l'editoria, il campo letterario, le interferenze: ll Novecento.School of Arts, Languages and Cultures University of Manchester Manchester, UK. I am a Senior Lecturer in Italian Studies and was the Director of CIDRAL, the Centre for Interdisciplinary Research in the Arts and Languages at the University of Manchester between 2015 and 2018. My work is interdisciplinary since it is mostly concerned with the interconnections between cultural, aesthetic and historical moments. It primarily draws on archival material, which is then interpreted according to an interdisciplinary theoretical framework, carefully constructed to account for the multiplicity and complexity of cultural formations as well as their ideological/political fluctuations. Specifically, my research focuses on the fascist period, the late nineteenth-century Italian novel, translation theory, censorship, literary journals, modernism, history of publishing, intellectual history and contemporary writing. My publications include a monograph on the politics of translation in Italy (1903-1943), Culture nazionali e narrazioni straniere (Florence, 2007), one collection of essays on translations and censorship, a co-edited volume on the Italian Gothic and Fantastic, and several articles in journals. Most recently, I have contributed a chapter on the skyscraper for The Microhistory of Futurism (Legenda, 2016), which blends literary studies with architecture. I have just finished co-editing two special issues of journals on politics entitled 'Mediating Culture in the Italian Literary Field 1940-1960' (Journal of Modern Italian Studies, 2016) and 'Journals and Intellectuals in Italy: Political, Cultural and Transnational Legacies’ (Modern Italy, 2016). I have completed as co-investigator an AHRC large collaborative project on literary journals in Italy from 1940 and 1960 and I am about to start a new AHRC-funded project entitled The Dialectics of Modernity, which will provide the first in-depth interdisciplinary assessment of the arts system under the Italian Fascist regime. I am on the editorial board of Comparative Critical Studies and Legenda (Italian Perspectives) and I am currently supervising two Marie Curie Fellows. I have presented my work at various institutions, such as NYU, Berkeley, Paris (Rue d'Ulm), held a Visiting Professorship at the University of Milan (Statale) and in 2011 I was Visiting Scholar at the CNRS (Centre de sociologie européenne), Paris. I am one of the external assessors and contributors to the École normale supérieure-Paris based international project La transculturalité des espaces nationaux. Europe (1750-1900) and in Italy to the FIRB project (equivalent to AHRC major grant) Storia e mappe digitali della letteratura tedesca in Italia: l'editoria, il campo letterario, le interferenze: ll Novecento.

Francesca Billiani

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Architecture and the Novel under the Italian Fascist Regime

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Architecture and the Novel under the Italian Fascist Regime

Francesca BillianiLaura Pennacchietti

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About Francesca Billiani

School of Arts, Languages and Cultures University of Manchester Manchester, UK. I am a Senior Lecturer in Italian Studies and was the Director of CIDRAL, the Centre for Interdisciplinary Research in the Arts and Languages at the University of Manchester between 2015 and 2018. My work is interdisciplinary since it is mostly concerned with the interconnections between cultural, aesthetic and historical moments. It primarily draws on archival material, which is then interpreted according to an interdisciplinary theoretical framework, carefully constructed to account for the multiplicity and complexity of cultural formations as well as their ideological/political fluctuations. Specifically, my research focuses on the fascist period, the late nineteenth-century Italian novel, translation theory, censorship, literary journals, modernism, history of publishing, intellectual history and contemporary writing. My publications include a monograph on the politics of translation in Italy (1903-1943), Culture nazionali e narrazioni straniere (Florence, 2007), one collection of essays on translations and censorship, a co-edited volume on the Italian Gothic and Fantastic, and several articles in journals. Most recently, I have contributed a chapter on the skyscraper for The Microhistory of Futurism (Legenda, 2016), which blends literary studies with architecture. I have just finished co-editing two special issues of journals on politics entitled 'Mediating Culture in the Italian Literary Field 1940-1960' (Journal of Modern Italian Studies, 2016) and 'Journals and Intellectuals in Italy: Political, Cultural and Transnational Legacies’ (Modern Italy, 2016). I have completed as co-investigator an AHRC large collaborative project on literary journals in Italy from 1940 and 1960 and I am about to start a new AHRC-funded project entitled The Dialectics of Modernity, which will provide the first in-depth interdisciplinary assessment of the arts system under the Italian Fascist regime. I am on the editorial board of Comparative Critical Studies and Legenda (Italian Perspectives) and I am currently supervising two Marie Curie Fellows. I have presented my work at various institutions, such as NYU, Berkeley, Paris (Rue d'Ulm), held a Visiting Professorship at the University of Milan (Statale) and in 2011 I was Visiting Scholar at the CNRS (Centre de sociologie européenne), Paris. I am one of the external assessors and contributors to the École normale supérieure-Paris based international project La transculturalité des espaces nationaux. Europe (1750-1900) and in Italy to the FIRB project (equivalent to AHRC major grant) Storia e mappe digitali della letteratura tedesca in Italia: l'editoria, il campo letterario, le interferenze: ll Novecento.

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Architecture and the Novel under the Italian Fascist Regime

This book is open access under a CC BY 4.0 license “Francesca Billiani and Laura Pennacchietti draw brilliantly and with precision the evolution of the new architecture and of the national novel (with insights on translations of international novels), whose profiles had been shaped from different angles, especially in the 1930s. These two fields, apparently so distant one from the other, had never been analysed in parallel. This book does this and uncovers several points of contact between the two, spanning propaganda and theoretical turning points.” —Chiara Costa and Cornelia Mattiacci, Fondazione Prada, Italy “This book shows convincingly how the arte di Stato during Fascism was created with the morality of a new novel as well as architecture. It is surprising to read how one of the representatives of State art, Giuseppe Bottai, is also one of the finest critics of realist novels and rationalist architecture. More than parallel endeavours, the system of the arts during the Fascist regime should be viewed as a series of intersections of cultural, political and aesthetic discourses.” —Monica Jansen, Utrecht University, The Netherlands Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes. Francesca Billiani is Senior Lecturer in Italian Studies and Director of the Centre for Interdisciplinary Research in the Arts and Languages at the University of Manchester, UK. Laura Pennacchietti is Research Associate in Italian Studies at the University of Manchester, UK.

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