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    Naya Tsentourou

    Department of English University of Exeter Cornwall, UK I joined the Department of English at the University of Exeter in 2014, having previously taught at Lancaster University and the University of Manchester where I completed my PhD in 2013. My main research interests include the works of John Milton, seventeenth-century religious lyric and affect, and the relationship between emotions and breath in the early modern period.Department of English University of Exeter Cornwall, UK I joined the Department of English at the University of Exeter in 2014, having previously taught at Lancaster University and the University of Manchester where I completed my PhD in 2013. My main research interests include the works of John Milton, seventeenth-century religious lyric and affect, and the relationship between emotions and breath in the early modern period.

    Naya Tsentourou

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    Reading Breath in Literature

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    Reading Breath in Literature

    Arthur RoseStefanie HeineNaya TsentourouCorinne SaundersPeter Garratt

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    About Naya Tsentourou

    Department of English University of Exeter Cornwall, UK I joined the Department of English at the University of Exeter in 2014, having previously taught at Lancaster University and the University of Manchester where I completed my PhD in 2013. My main research interests include the works of John Milton, seventeenth-century religious lyric and affect, and the relationship between emotions and breath in the early modern period.

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    Reading Breath in Literature

    This open access book presents five different approaches to reading breath in literature, in response to texts from a range of historical, geographical and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers the first transhistorical study of breath in literature. At the same time, it shows how the study of breath in literature can contribute to recent developments in the Medical Humanities.

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