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    Maria Karlsson (Editor)

    Uppsala University Uppsala, Sweden. Maria Karlsson is Senior Lecturer in Literary Studies and Rhetoric at the Department of Literature at Uppsala University. She is on the advi- sory board of the Engaging Vulnerability Research Programme (www. engagingvulnerability.se). Her research interests have mainly been narra- tion in women’s fin-de-siécle (nineteenth/twentieth century) fiction, audi- ences and media dramaturgy. Currently, her work is on begging letters from readers; on provocative art in a context of media and politics, and on vulnerability and the Swedish radio documentary.Uppsala University Uppsala, Sweden. Maria Karlsson is Senior Lecturer in Literary Studies and Rhetoric at the Department of Literature at Uppsala University. She is on the advi- sory board of the Engaging Vulnerability Research Programme (www. engagingvulnerability.se). Her research interests have mainly been narra- tion in women’s fin-de-siécle (nineteenth/twentieth century) fiction, audi- ences and media dramaturgy. Currently, her work is on begging letters from readers; on provocative art in a context of media and politics, and on vulnerability and the Swedish radio documentary.

    Maria Karlsson (Editor)

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    Vulnerability in Scandinavian Art and Culture

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    About Maria Karlsson (Editor)

    Uppsala University Uppsala, Sweden. Maria Karlsson is Senior Lecturer in Literary Studies and Rhetoric at the Department of Literature at Uppsala University. She is on the advi- sory board of the Engaging Vulnerability Research Programme (www. engagingvulnerability.se). Her research interests have mainly been narra- tion in women’s fin-de-siécle (nineteenth/twentieth century) fiction, audi- ences and media dramaturgy. Currently, her work is on begging letters from readers; on provocative art in a context of media and politics, and on vulnerability and the Swedish radio documentary.

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    Vulnerability in Scandinavian Art and Culture

    In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is vulnerability distributed in terms of margin and centre, normality and deviance? And how can vulnerability be used to move audiences towards each other and accomplish change? We address these questions in an interdisciplinary study that brings examples from celebrated and provocative fiction and documentary films, TV-series, reality TV, art installations, design, literature, graphic art, radio podcasts and campaigns on social media.

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